(via minusmanhattan)
Japan . Photography
(via thethreeninety)
(via penguinist)
Untitled (l’Arbre et son ombre) by Samuel Rousseau nominated for the Marcel Duchamp Prize 2011
(via babys--breath)
![theatlantic:
Where Did All the Workers Go? 60 Years of Economic Change in 1 Graph
President Obama’s State of the Union speech was surprisingly bullish on reviving manufacturing, prompting one very clever person on Twitter to say something along the lines of: “Democrats want the economy of the 1950s, while Republicans just want to live there.”
It got me thinking: What did the economy look like in the 1950s? If you could organize all the jobs into buckets and compare the paper-shuffling professional services bucket to the manufacturing bucket, what would they look like around 1950, and how has the picture changed in the last 60 years? Read more.
[Image: Brian McGill and Peter Bell/National Journal]](http://25.media.tumblr.com/tumblr_lyfd35PcEC1qcokc4o1_500.png)
Where Did All the Workers Go? 60 Years of Economic Change in 1 Graph
President Obama’s State of the Union speech was surprisingly bullish on reviving manufacturing, prompting one very clever person on Twitter to say something along the lines of: “Democrats want the economy of the 1950s, while Republicans just want to live there.”
It got me thinking: What did the economy look like in the 1950s? If you could organize all the jobs into buckets and compare the paper-shuffling professional services bucket to the manufacturing bucket, what would they look like around 1950, and how has the picture changed in the last 60 years? Read more.
[Image: Brian McGill and Peter Bell/National Journal]
No words can describe the pure AWESOMENESS of this.
“… Japanese artist Riusuke Fukahori paints three-dimensional goldfish using a complex process of poured resin. The fish are painted meticulously, layer by layer, the sandwiched slices revealing slightly more about each creature, similar to the function of a 3D printer. ”
PURE AWESOMENESS. (also, watch the video to see for yourself!)
(via penguinist)
Camera Obscure with Abelardo Morell: He covered all his windows with black plastic in order to achieve total darkness, he then cut a small hole in the same black plastic material, an image of the outside scenery was reflected directly on the opposite wall, but it was upside-down.
(via penguinist)
(via dontyouweep)
Chrysler Building, New York City
